Edition 60: Autumn 2012 Baaba Maal’s summer festival at the Southbank Centre in London was a triumph, says Emma Gregg. |
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Edition 57: Winter 2011/12 Cape Verde’s veteran songstress, Cesária Évora, recently announced her retirement at the age of 70. Emma Gregg reflects on a remarkable career. |
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Edition 54: Spring 2001 AfroCubism, the crack team of Malian and Cuban musicians who brought the house down at the 2010 London Jazz Festival, will be back in London this summer. Don’t miss them, says Emma Gregg. |
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Edition 52: Autumn 2010 To celebrate the musical energy of post-colonial Africa, an independent French label has released a caseful of sparklers. Emma Gregg cracks it open.
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Edition 47: Summer 2009 Emma Gregg explores the traditions of a nation that should appear on every music-loving traveller’s wish-list. |
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Edition 46: Spring 2009 Mali’s top female vocalist, Oumou Sangare, is back with a glorious new album, says Emma Gregg.
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Edition 45: Winter 2008/9 In November, African music fans mourned the loss of Miriam Makeba – easily the most influential female singer Africa has ever produced.
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Edition 45: Winter 2008/9 It’s been a great year for African music in the UK, with the BBC Radio 3 World Music Awards honouring a host of the continent’s rising stars and Damon Albarn’s Africa Express gathering steam in Liverpool and London. Here Emma Gregg selects the pick of the year’s most enjoyable new releases.
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Edition 44: Autumn 2008 It takes strength to speak out in present-day Zimbabwe, but Chiwoniso Maraire – whose messages deal with social responsibility and awareness – refuses to hold back, says Emma Gregg.
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Edition 43: Summer 2008 Standing up for inter-ethnic harmony in Africa, Etran Finatawa present a compelling message to the continent, says Emma Gregg.
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Edition 42: Spring 2008 In Cape Verde, where traditional music is gloriously melancholic, a new generation of young female singers is blowing away the cobwebs, says Emma Gregg |
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Edition 40: Autumn 2007 Habib Koité’s first studio album in six years is a delight, says Emma Gregg. |
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Edition 39: Summer 2007 African jazz veteran Manu Dibango has been making music for half a century, and his sound is as confident as ever, says Emma Gregg. |
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Edition 38: Spring 2007 Tinariwen are well on the way to international success, says Emma Gregg. But will they stay true to their freedom-fighting ideals? |
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Edition 37: Winter 2006/7 The loss of Ali Farka Touré, one of the continent’s most inspirational creative forces, made 2006 a sad year for African music fans. But this was also a year which brought us a feast of live performances – among others, Souad Massi, Toumani Diabaté, Salif Keita and the electric Malian duo Amadou et Mariam were all on tour – and a fine crop of new releases. Here we single out our top ten.
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Edition 35: Summer 2006 Toumani Diabaté’s Symmetric Orchestra, UK tour, May 2006 Decked out like a dressed-up Dogon village, Le Hogon is one of Bamako’s swishest clubs. In a city that’s bursting at the seams with live music venues, some of which offer little more a couple of crackly speakers on a concrete platform, it draws a discerning crowd. |
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Edition 34: Spring 2006 Amadou and Mariam, Emmanuel Jal and Souad Massi, UK tour, February 2006 Every concert-going African music fan knows that if you turn up early, you’ll have the venue almost to yourself. Some people may saunter in during the first act, but most make a point of propping up the bar until moments before the headliners hit the stage. The African Soul Rebels tour was different. Here were three acts, each dynamic enough to hold our attention from the first note. |
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Edition 33: Winter 2005/6 Salif Keita’s last album, Moffou, marked a dazzling return to form. His latest, M’Bemba, recorded in his own custom-built studio in Bamako, is even more bewitching, says Emma Gregg. |
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Edition 32: Autumn 2005 Check out some of the great new releases on offer for Christmas....... |
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Edition 32: Autumn 2005 Live 8 and Africa Calling, July 2005 |
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Ladysmith Black Mambazo UK tour, Winter 2004 Ladysmith Black Mambazo are no longer just the musical messengers of a downtrodden people. They’re a commercial powerhouse ‐ they’ve sold over 1.3 million albums in the UK alone, and are officially the most successful African act of all time. |
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New African Music Releases, reviewed by Emma Gregg. Including Mbilia Bel, Manu Dibango, Rachid Taha and Issa Bagayogo... |
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